Catalogue to accompany Art from Elsewhere Exhibition

In this new publication accompanying the latest Hayward Touring exhibition, supported by the Art Fund, curator David Elliott brings together a personal selection of recently acquired international works that have transformed public art collections across the UK. The 70 works featured are drawn from museums and galleries in five regions that were awarded significant grants under the Art Fund International scheme to purchase contemporary works by major international artists over a period of five years. Art from Elsewhere presents an array of works on paper, video, sculpture, painting and photography, reflecting on the realities of global change and the post-colonial experience, examining questions of trade and exchange, urban and international migration, frontiers and failed utopias. Including an in-depth essay by David Elliott as well as commentaries on each of the selected artists, Art from Elsewhere offers an insightful introduction to the richness of international contemporary art being acquired in Britain today. Artists featured in this publication are Ai Weiwei, Shirin Aliabadi, Carl Andre, Stephen Antonakos, Yto Barrada, Yael Bartana, Lothar Baumgarten, Mohamed Bourouissa, Robert Breer, Paulo Bruscky, Nathan Carter, Thomas Demand, Eugenio Dittborn, Omer Fast, Meschac Gaba, Shilpa Gupta, Romuald Hazoumè, Michael Heizer, Peter Hujar, Emily Jacir, Jitish Kallat, Amar Kanwar, Ola Kolehmainen, Barbara Kruger, Ana Mendieta, Aleksandra Mir, Zwelethu Mthethwa, Imran Qureshi, Jozef Robakowski, Shahzia Sikander, Robert Smithson, Nancy Spero, Beat Streuli, Kara Walker, Yang Zhenzhong, YeeSookyung, Akram Zaatari and Horacio Zabala.

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Exhibition catalogue

Foreward by Michael Harrison Director Kettles Yard and Godfrey Worsdale with visual essays by jorunn veiteberg and Edmund de Wall in conversation with architect David Hills and Exhibitions organiser Elisabeth Fisher.

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Texts by Stephen Willats, Alistair Hudson and Miguel Amado. Interview with Hannah Redler Hawes. Published to accompany the solo exhibition at Middlesborough Institute of Modern Art (4 March - 4 June 2017).

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Artist Margaret Harrison's work has helped define the relationship of feminism, art and politics in Britain.

Radical Since 1971 - What would happen if you dressed Captain America in a corset and heels? How should we respond to war & exploitation? Why are women paid less and expected to do more? Over her 40+ year career, feminist artist and political activist Margaret Harrison has tried to answer these questions, creating an enormous body of work that includes oil paintings, watercolors, drawings, and large installations. Utilizing her Royal Academy training, cultural icons from Wonder Woman to Lady Gaga, and elements of the British landscape tradition, she insightfully comments on issues of cultural and political importance locally (UK) and internationally. From her first censored solo exhibition in 1971 (one of the first Feminist solo shows in London) to winning the Northern Art Prize in 2013 (Leeds, UK), Harrison has challenged the status quo with thought provoking and often humorous work questioning notions of gender & identity, place, politics, celebrity, domestic violence, and the exploitation of women's labor and sexuality. About the Artist Margaret Harrison's work has helped define the relationship of feminism, art and politics in Britain, and she is frequently invited to speak on these topics in international forums.

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Exhibition Catalogue

Perspectives of Europe 1980 – 2014 is Stephen McKenna’s largest museum solo presentation of his landscapes in over a decade. The exhibition takes you through his responses to living and travelling in a number of countries, against a backdrop of changing European politics and culture in Portugal, Italy, Spain, Germany, England and Ireland.

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These lovely festive baubles depict the Teesside Skyline and all our favourite local landmarks

Price £12.50 each

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This Book examines Winifred Nicholson's relationship with the craft of rag rug making.

Richly illustrated with colourful, quirky rag rugs (also known as hooked rugs), this delightful book examines Winifred Nicholson’s relationship with the Cumbrian craft, the way in which she helped revive the tradition in the 1960s and ’70s, and her influence on contemporary makers. For anyone interested in textiles, naive art, British folk traditions or mid-century craft, this book will be a treasure trove.  

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